Tobias Hall for The Rolling Stones’ new album ‘Honk’
Tobias was commissioned by Studio Fury to produce the cover illustration and lettering for the exciting new Rolling Stones compilation album ‘Honk’.
Andrew Archer for Scottish craft beer brewer BrewDog.
Andrew was commissioned by BrewDog to create an illustration and product name lettering for use on cans of a beer named Kamikaze Knitting Club.
Andrew Archer is represented by Début Art
Harry Malt for Ted Baker London – first ever Ted Baker advertising
Harry Malt was commissioned by the highly creative and very successful Ted Baker London to create illustrations for use in Ted Baker’s first ever advertising campaign.
Peter Crowther / Nature Medicine magazine 25th anniversary year.
Peter Crowther was asked by Nature to create an image for use regarding Nature Medicine magazine throughout its 25th anniversary year.
Yann Legendre / Bois de Cafkanelle organic wine.
Yann Legendre was asked by Vincent Bireaud vineyard to create this label and bottle design for their Bordeaux 'Bois de Cafkanelle' organic wine.
Yann Legendre is represented by Début Art
Florian Schommer’s outstanding illustrated covers for Penguin Press.
Florian Schommer was commissioned by Penguin Press to create artwork for ‘Day of the Oprichnik’ and ‘The Blizzard’, two novels by contemporary Russian writer Vladimir Sorokin, published as Penguin Modern Classics in November 2018.
Jacey / Empire Classics / Alien cover
Jacey was asked by the team at Empire to create the cover for their Alien special. The image encapsulates elements and subtle nods from across the film franchise
Chris Labrooy for Callaway Golf
Acclaimed CGI artist and designer Chris Labrooy was asked by The KIMBA Group in Los Angeles to bring his unique vision to the golf media landscape.
Viktor Koen’s and Istvan Banyai’s work is featured in an exhibition looking at today’s political climate at The School of Visual Arts in NYC.
Viktor Koen and Istvan Banyai are part of a select grouping of 53 illustrators, cartoonists and animators featured in “Art as Witness: Political Graphics 2016-18” at the School of Visual Arts in New York. This powerful and inspiring exhibition shows us how, in today’s political climate, artists are using satire to record and respond to the current state of affairs.